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Volume 84, Nº 1 (2025)
Hamlet translated by Pyotr Gnedich in the history of Russian drama theater
Zhatkin D., Serdechnaya V.
PDF
(Rus)
Volume 83, Nº 1 (2024)
From the History of “Ultimatum” Conjunctions ne to and a ne to ‛or else’ (According to the Russian National Corpus)
Ptentsova A.
PDF
(Rus)
Volume 82, Nº 2 (2023)
On the Study of I.A. Krylov’s Fables in China
Pei J.
PDF
(Rus)
Volume 84, Nº 2 (2025)
Culinary and gastronomic discourse in the letters of I. A. Goncharov
Denisenko S.
PDF
(Rus)
Volume 83, Nº 5 (2024)
Yuly Aykhenwald in the debate about the theatre. Article one
Takho-Godi E.
PDF
(Rus)
Volume 82, Nº 2 (2023)
About the Creation of a Russian-Language Ontology for Digital Humanities
Antopolskii A.
PDF
(Rus)
Volume 82, Nº 5 (2023)
Intralingual Varieties in Interlingual Contact (The Case of Migrant Russian in Germany)
Warditz V.
PDF
(Rus)
Volume 84, Nº 1 (2025)
Ellipsis in Russian literature of the 18th–19th centuries: usage and codification
Karpov V., Nuriev V.
PDF
(Rus)
Volume 83, Nº 5 (2024)
Muravyov, Kniazhnin, Voltaire and Le Franc de Pompignan
Ivinskiy A.
PDF
(Rus)
Volume 82, Nº 3 (2023)
On the Beginning of Author’s Lexicography in Russia
Дружинин П.
PDF
(Rus)
Volume 82, Nº 6 (2023)
Poetics of Metamorphosis and “Layering” in a Story “A Small Mistake” by N.S. Leskov: Towards the Problem of the “Classical Writer’s Method”
Evdokimova O.
PDF
(Rus)
Volume 83, Nº 1 (2024)
The Plot of “The Wizard and His Horse” in the Oirat Monument “Aršāni Nomiyin Tuuǰi” (“The Tale of the Nectar Teaching”)
Menyaev B.
PDF
(Rus)
Volume 83, Nº 5 (2024)
Possibilities of digital commenting on works of Russian classics (on the example of Ivan Bunin’s story “At the Dacha”)
Ponomarev E.
PDF
(Rus)
Volume 82, Nº 3 (2023)
Nomination of Family and Kinship in Arkhangelsk Dialects
Kachinskaya I.
PDF
(Rus)
Volume 83, Nº 5 (2024)
The Russian academic explanatory lexicography as part of the European tradition of dictionary-making: genesis of the principles of normativity and historicism
Vorontsov R., Priemysheva M.
PDF
(Rus)
Volume 82, Nº 3 (2023)
A History of “Cohesion”: from M. O. Gershenzon’s “The Poet’s Vision” to V. Weidlé’s “Les Abeilles d’Aristée”
Smirnova N.
PDF
(Rus)
Volume 83, Nº 1 (2024)
I. M. Fovitsky about the ode of Prince P. A. Vyazemsky “Indignation”
Ivinsky D.
PDF
(Rus)
Volume 83, Nº 3 (2024)
Degrees and Limits of Adverbial Transposition of Nouns in the Russian Language (Based on Formations with the Semantics of the Season and the Day)
Shigurov V.
PDF
(Rus)
Volume 82, Nº 4 (2023)
Common-Root Words: Between Synonymy and Paronymy
Yakunina D.
PDF
(Rus)
Volume 83, Nº 2 (2024)
The nature and types of pragmatic information about the word and its presentation in the explanatory dictionary
Kakorina E.
PDF
(Rus)
Volume 83, Nº 6 (2024)
Mutando Mutanda. II: Notes on Emendations
Krysko V.
PDF
(Rus)
Volume 82, Nº 4 (2023)
V Nikuda (“To Nоwhere”): From Poeticism to the Element of Everyday Language
Fufaeva I.
PDF
(Rus)
Volume 83, Nº 2 (2024)
Italian correspondents of Dmitry Merezhkovsky: Enrico Barfucci and Enrico Bemporad
Giuliano G.
PDF
(Rus)
Volume 82, Nº 5 (2023)
M. Gorky’s Unfulfilled Literary and Publishing Project “The History of the Gorky Region”
Primochkina N.
PDF
(Rus)
Volume 83, Nº 5 (2024)
How did the Chinese Russianists interpretate the leading theme in “The Tale of Igor’s Campaign”
Li Z.
PDF
(Rus)
Volume 82, Nº 2 (2023)
A. F. Labzin is the Author of “The Lamentations of Jeremiah, Translated into Verse”: The Experience of Attribution
Korovin V.
PDF
(Rus)
Volume 82, Nº 5 (2023)
Sergey Durylin on Shakespeare in the Russian Theatre: On the Question of the Modalities of Theater Critical Writing in the USSR in the 1930s–1950s
Zhatkin D., Serdechnaya V.
PDF
(Rus)
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Dicas:
  • Palavras-chave são sensíveis a maiúsculas
  • Preposições e conjunções ingleses são ignoradas
  • Busca é feita por todos os palavras-chave (agente AND experimentador) por omissão
  • Use OR para pesquisar um termo exato, ex.: educação OR formação
  • Use parênteses para criar frases complexas, ex.: arquivo de ((revistas OR conferências) NOT teses)
  • Para pesquisar uma frase precisa use aspas duplas, ex.: "investigações científicas"
  • Exclua uma palavra utilizando o sinal - (hífen) ou operador NOT; ex.: concurso-de beleza ou concurso NOT de beleza
  • Use * como caractere-coringa, ex.: científic* recuperará as palavras "científico", "científicos", etc.